Catalogues of Imogen Cunningham Exhibitions

CATALOGUESOF IMOGEN CUNNINGHAM EXHIBITIONS

 

  • Internationale Ausstellung des Deutschen Werkbunds: Film und Foto. Stuttgart, 1929.
  • "'Impressions in Silver' by Imogene [sic] Cunningham." Los Angeles Museum Art News, April 1932.
  • A Pageant of Photography. San Francisco: Golden Gate International Exposition, 1940.
  • Photography at Mid-Century: 10th Anniversary Exhibition. Rochester, N. Y.: George Eastman House, 1959.
  • Craven, George. The Group f/64 Controversy: An Introduction to the Henry F. Swift Memorial Collection of the San Francisco Museum of Art. San Francisco: San Francisco Museum of Art, 1963. 
  • Doty, Robert M., ed. Photography in America, 1850-1965. New Haven, Conn.: Yale University Art Gallery, 1965.
  • Six Photographers 1965: An Exhibition of Contemporary Photography. Urbana,Ill.: College of Fine and Applied Arts, University of Illinois, Urbana, 1965.
  • Imogen Cunningham, Photographs 1921-1967. Foreword by Beaumont Newhall. Stanford, Calif: Stanford Art Gallery, Stanford University, 1967.
  • Lyons, Nathan. Photography in the Twentieth Century. New York: Horizon Press and George Eastman House, 1967.
  • Women, Cameras, and Images I: Imogen Cunningham. Washington, D. C.: Museum of History and Technology, Smithsonian Institution, 1968.
  • Photo Eye of the '20s. Introduction by Beaumont Newhall. Rochester, N. Y.: George Eastman House and the Museum of Modern Art, 1971.
  • Group f/64. Albuquerque, N. M.: Fine Arts Center, University of New Mexico Art Museum, 1972.
  • Imogen Cunningham: Recent Photographs. San Francisco: Art Commission "Capricorn Asunder" Gallery, 1973.
  • Massar, Phyllis Dearborn. Photographs by Imogen Cunningham. New York: Metropolitan Museum of Art, 1973.
  • Doty, Robert, ed. Photography in America. Introduction by Minor White. New York: Whitney Museum of American Art and Random House, 1974.
  • Imogen Cunningham: Photographs 1910-1973. San Francisco: Chevron Gallery, 1975.
  • Imogen! Imogen Cunningham, Photographs 1910-1973. Los Angeles: Occidental Center Gallery, 1975.
  • Women of Photography: An Historical Survey. San Francisco: San Francisco Museum of Art, 1975.
  • American Photography: Past into Present. Prints from the Monsen Collection of American Photography. Seattle: Seattle Art Museum, 1976. 
  • Campbell, Sara, ed. The Blue Four: Galka Scheyer Collection. Pasadena, Calif: Norton Simon Museum of Art, 1976.
  • Travis, David. Photographs from the Julien Levy Collection, Starting with Atget. Chicago: Art Institute of Chicago, 1976.
  • Brown, Milton. The Modern Spirit: American Painting 1908-1935. Arts Council of Great Britain. Edinburgh: 
  • Royal Scottish Academy; London: Hayward Gallery, 1977.
  • Photographs from the Julien Levy Collection. New York: The Witkin Gallery, 1977.
  • Tucker, Jean S., ed. Group f.64. St. Louis: University of Missouri - St. Louis, 1978.
  • Photography Rediscovered: American Photographs, 1900-1930. New York: Whitney Museum of American Art, 1979.
  • Haenlein, Carl. 1920 Amerika Fotografie 1940: Zwischen Hollywood und Harlem. Hannover, Germany: Kestner-Gesellschaft, 1980.
  • Southern California Photography 1900-65, An Historical Survey. Los Angeles: The Photography Museum, 1980.
  • West-Coast Pictorialism: Etchings and Photographs by Roi Partridge and Imogen Cunningham. Laguna Beach, Calif: Laguna Beach Museum of Art, 1980.
  • American Photographers and the National Parks: A Catalog of the Exhibition. Washington, D. C.: National Park Foundation, 1981.
  • A Show of Hands: Photographs from the Keoshian Collection. San Francisco: San Francisco Museum of Modern Art, 1981.
  • Travis, David. Photography in Chicago Collections. Chicago: Art Institute of Chicago, 1982.
  • Tsujimoto, Karen. Images of America: Precisionist Painting and Modern Photography. San Francisco: San Francisco Museum of Modern Art, 1982.
  • The Photography of Imogen Cunningham: A Centennial Selection. New York: American Federation of the Arts, 1983.
  • Ackley, Clifford S. Photographic Viewpoints: Selections from the Collection, Museum of Fine Arts, Boston. Boston: Museum of Fine Arts, 1984.
  • Imogen Cunningham. Santa Cruz, Calif.: Art Museum of Santa Cruz County, 1984.
  • A Personal View: Photography in the Collection of Paul F. Walter. New York: Museum of Modern Art, 1985.
  • Billeter, Erika, ed. Self-portrait in the Age of Photography: Photographers Reflecting their Own Image. Bern: Benteli Verlag, 1985.
  • Modernist Masterworks to 1925. From "the deLIGHTed eye," a Private Collection. New York: International Center of Photography, 1985.
  • Signs of the Times, Some Recurring Motifs in Twentieth-Century Photography. San Francisco: San Francisco Museum of Modern Art, 1985.
  • Coke, Van Deren, and Diana C. du Pont. Photography: A Facet of Modernism. New York: Hudson Hills Press and San Francisco Museum of Modern Art, 1986.
  • Lingwood, James, ed. Staging the Self: Self-portrait Photography 1840s-1980s. London: National Portrait Gallery, 1986.
  • Botanica: Photographies de végétaux aux XIXe et XXe siècles. Paris: Centre National de la Photographie, 1987.
  • Garner, Gretchen. Reclaiming Paradise, American Women Photograph the Land. Duluth, Minn.: Tweed Museum of Art, University of Minnesota, Duluth, 1987.
  • La danza moderna di Martha Graham. Reggio Emilia, Italy: Teatro Municipale Valli, 1987.
  • Lorenz, Richard. Imogen Cunningham, Frontiers: Photographs 1906-1976. Berkeley, Calif.: The Imogen Cunningham Trust and United States Information Agency, 1987.
  • Of People and Places: The Floyd and Josephine Segel Collection of Photography. Milwaukee, Wis.: Milwaukee Art Museum, 1987.
  • Weiermair, Peter. Il nudo maschile nella fotografia del XIX e del XX sec.. Ravenna, Italy: Edizioni Essegi and Pinacoteca Communale, 1987.
  • After the Manner of Women: Photographs by Käsebier, Cunningham, and Ulmann. Malibu, Calif.: J. Paul Getty Museum, 1988.
  • Foster, Alasdair, with Roberta McGrath. Behold the Man: The Male Nude in Photography. Edinburgh, Scotland: Stills Gallery, 1988.
  • Lorenz, Richard. Imogen Cunningham, Fronteras: Fotografías 1906-1976. Madrid: Círculo de Bellas Artes, 1988.
  • Parallels and Contrasts: Photographs from the Stephen White Collection. Beverly Hills, Calif.: Stephen White Editions, 1988.
  • Vintage Photographs by Women of the '20s and '30s. Chicago: Edwynn Houk Gallery, 1988.
  • American Photographers: Loan Exhibition from The National Museum of Modern Art, Kyoto. Shibuya: Shoto Museum of Art, 1988.
  • Focus: Photographs from the Collection of Helen Johnston. Santa Clara, Calif.: de Saisset Museum, Santa Clara University, 1989.
  • Greenough, Sarah, Joel Snyder, David Travis, and Colin Westerbeck. On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography. Washington, D. C.: National Gallery of Art, 1989.
  • Hambourg, Maria Morris, and Christopher Phillips. The New Vision: Photography Between the World Wars. Ford Motor Company Collection at the Metropolitan Museum of Art. New York: Metropolitan Museum of Art and Harry N. Abrams, 1989.
  • Heyman, Therese Thau. Picturing California: A Century of Photographic Genius. San Francisco: Chronicle Books and Oakland Museum, 1989.
  • Lorenz, Richard. Imogen Cunningham, Grenzen: Fotografien 1906-1976. Berlin: Zentrum für Kunstausstellungen der DDR, 1989.
  • The Eclectic Spirit: Imogen Cunningham. Glasgow: Glasgow Museum, Kelvingrove, 1990.
  • Heyman, Therese Thau, ed. Seeing Straight: The f.64 Revolution in Photography. Oakland, Calif.: Oakland Museum, 1992.
  • Watkins to Weston: 101 Years of California Photography 1849-1950. Santa Barbara, Calif.: Santa Barbara Museum of Art and Roberts Rinehart Publishers, 1992.
  • Reed, Jane Levy. Imogen Cunningham: Paris in the Sixties. San Francisco: Alliance Francaise de San Francisco, 1993.