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- Beaton, Cecil, and Gail Buckland. The Magic Image: The Genius of Photography from 1839 to the Present Day. Boston: Little, Brown, 1975.
- Diverse Images: Photographs from The New Orleans Museum of Art. Garden City, N. Y.: Amphoto, 1979.
- Duval, Jean-Luc. Photography: History of an Art. Geneva: Skira; New York: Rizzoli, 1982.
- Ewing, William A. Flora Photographica: Masterpieces of Flower Photography 1835 to the Present. New York: Simon and Schuster, 1991.
- Ewing, William A. The Fugitive Gesture: Masterpieces of Dance Photography. London: Thames and Hudson, 1987.
- Gee, Helen. Photography of the Fifties: An American Perspective. Tucson, Ariz.: Center for Creative Photography, University of Arizona, Tucson, 1980.
- Graham, Martha. Blood Memory. New York: Doubleday, 1991.
- Green, Jonathan, ed. Camera Work: A Critical Anthology. Millerton, N. Y.: Aperture, 1973.
- Gruber, Renate, and L. Fritz. The Imaginary Photo Museum. New York: Harmony Books, 1981.
- Hively, William. Nine Classic California Photographers. Berkeley, Calif.: Friends of the Bancroft Library, 1980.
- Homer, William Innes. Alfred Stieglitz and the Photo-Secession. Boston: New York Graphic Society, 1983.
- Katzman, Louise. Photography in California 1945-1980. New York: Hudson Hills Press and San Francisco Museum of Modern Art, 1984.
- Köhler, Michael. Ansichten vom Körper: Das Aktfoto 1840-1985. Schaffhausen: Edition Stemmle, 1986.
- Language of Light: A Survey of the Photography Collection of the University of Kansas Museum of Art. Lawrence, Kansas: University of Kansas Museum of Art, 1974.
- Lechat, Marie. Imogen Cunningham: Le portrait dans la photographie. Master's thesis, Université Libre de Bruxelles, Faculté de Philosophie et Lettres, 1978.
- Lemagny, Jean-Claude, and André Rouillé. A History of Photography. Trans. Janet Lloyd. Cambridge: Cambridge University Press, 1986.
- The Male Nude. Tokyo: Treville, 1991.
- Mann, Margery. California Pictorialism. Exh. cat. San Francisco: San Francisco Museum of Modern Art, 1977.
- Modern Photography and Beyond: Photographs in the Collection of The National Museum of Modern Art, Kyoto. Kyoto: National Museum of Modern Art, 1987.
- Nordland, Gerald. Ruth Asawa: A Retrospective View. Exh. cat. San Francisco: San Francisco Museum of Art, 1973.
- Photography as a Fine Art. New York: E. P. Dutton, 1983.
- Portraits. London: Thames and Hudson, 1983.
- Pultz, John, and Catherine B. Scallen. Cubism and American Photography, 1910-1930. Exh. cat. Williamstown, Mass.: Sterling and Francine Clark Art Institute, 1981.
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- Thornton, Gene. Masters of the Camera: Stieglitz, Steichen and Their Successors. N. Y.: Holt, Rinehart and Winston, 1976.
- U. S. Camera 1939. New York: William Morrow, 1939. (statement by Cunningham)
- Weston, Edward. The Daybooks of Edward Weston. Vols 1-2. Ed. Nancy Newhall. Millerton, N. Y.: Aperture, 1973.
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- Whitman, Walt. From This Soil: Selected Poems by Walt Whitman. San Francisco: The Nature Company, 1993.
- Rev. of Imogen Cunningham: Die Poesie der Form. Introduction by Pradip Malde. Schwarzweiss, 3. Germany: 1993, pp. 10-15.
- Ewing, William A. The Body: Photoworks of the Human Form. London: Thames and Hudson, 1994.
- Precisionism in America: 1915-1941: Reordering Reality. New York: Harry N. Abrams; New Jersey: The Montclair Museum, 1994.
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- Alinder, Mary Street. Group f.64. New York, NY. Bloomsbury Publishing, Plc. 2014.
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